Originally released when I was nine years old, Steven Spielberg’s ET. The Extra Terrestrial became my favorite movie. I saw it several times, owned many E.T. dolls, and related merchandise. Thirty-five years, and countless movies later, E.T. is no longer my favorite film, but I still love it. E.T., with its story of friendship, family, discovery, and the importance of home resonated with me as a child, and continues to as an adult.
Mistakenly left behind on Earth, a kindly alien is discovered and befriended by ten-year-old Elliott (Henry Thomas), upset over the recent separation of his parents. Dubbing the visitor “E.T.,” Elliott sneaks his new friend into his suburban California home, where he introduces his shocked siblings, older brother Michael (Robert McNaughton), and younger sister Gertie, to E.T. The kids decide to keep E.T. a secret from their mother (Dee Wallace), but it’s not long before government agents—largely represented by a mystery man notable because of his ever-present jangling keys (Peter Coyote)—begin stalking E.T., determined to take possession of the alien. While Elliott has formed a kind of psychic bond with his new friend, it soon becomes clear that finding a way for E.T. to return home is the only way they both will survive.
When E.T. first came to theaters, I remember a lot of surprise around the fact that a film featuring a brown puppet packed such an emotional wallop. The success of E.T. lies in the combination of Melissa Mathison’s (The BFG) excellent script, and Steven Spielberg’s superior direction. Along with being relatable, the E.T. does an amazing job of capturing what it’s like to be kid. Elliott is neither too nerdy or annoying, he’s just an ordinary young boy, and Drew Barrymore’s Gertie might be the least annoying “adorable” kid in film history. That’s a tribute to Steven Spielberg who has always had a gift for working with children.
Presented in its original theatrical aspect ratio of 1.85:1, this transfer appears to be nearly identical to the 4K release for the films 35th anniversary. Richly filmic, with superb detail throughout, the HDR used elevate black levels in select scenes isn’t a negative. The image appears sharper, and more accurate than on the included Blu-ray. Colors are deep, and appropriate, while the grain structure adds to the filmic appearance. The included Blu-ray has been remastered and isn’t the 2012 release.
The DTS:X soundtrack (the original 2.0 soundtrack is the same track included on the 2017 release. Nonetheless, it still sounds wonderful Dialogue has been expertly recorded, and placed in the center channel. John Williams’ Oscar winning score is spread nicely throughout the soundstage, allowing the music to ebb and flow appropriately with the action. Atmospherics come across clearly, but never interfere with the spoken word.
English SDH, French, Japanese, Portuguese, Spanish, Cantonese, and Mandarin (Traditional) subtitles are included.
While this collection includes all the special features from the 2017 release, Universal has included to additional features here. Further, the special features are now available on the UHD disc as well as the Blu-ray, where the are seen in their native 480i. The only exception is Designs, Photographs and Marketing, seen in HD.
Originally Released: October 25
Director: Steven q